British Studies
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»The Power of Love«: Heteronormativität und Bürgerlichkeit in der modernen Liebesgeschichte
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Bouncing Back: Queer Resilience in Twentieth and Twenty-First Century English Literature and Culture
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Camp Comforts: Reparative Gay Literature in Times of AIDS
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Harry Potter que(e)r: Eine Filmsaga im Spannungsfeld von Queer Reading, Slash-Fandom und Fantasyfilmgenre
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Historys Queer Stories: Retrieving and Navigating Homosexuality in British Fiction about the Second World War
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Houses, Secrets, and the Closet: Locating Masculinities from the Gothic Novel to Henry James
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London, Queer Spaces and Historiography in the Works of Sarah Waters and Alan Hollinghurst
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Post-Apartheid Criticism: Perceptions of Whiteness, Homosexuality, and Democracy in South Africa
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![»To define is to limit«, Lord Henry states, and Mrs. Dalloway »would not say of anyone [...] that they were this or that«. Why then are the respective novels mostly read - and in recent adaptations rewritten - in denial of their genuinely ambiguous designs? Bringing the two literary classics together for the first time, their shared concerns regarding textual and sexual identities are revealed. Challenging an established critical record commonly related to Oscar Wilde's and Virginia Woolf's own mythologised biographies, this study underscores the value of constantly rethinking labels by liberating the texts from the limiting grip of categorical readings.](https://gay-book-fair.de/wp-content/uploads/2024/09/9783837617450-300x499.jpg)
Setting the Record Queer: Rethinking Oscar Wilde’s »The Picture of Dorian Gray« and Virginia Woolf’s »Mrs. Dalloway«
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