Queering Contemporary French Popular Cinema: Images and their Reception

Beschreibung

Queering Contemporary French Popular Cinema combines close film analysis with a small-scale qualitative investigation of audience responses to examine images of queerness in contemporary French popular cinema and their reception. Through its blending of the textual and the empirical, this book provides a unique insight into the ways in which sexuality and gender are represented on the cinema screen, as well as the spectator reactions they elicit. Since the mid-1990s, depictions of lesbians, gay men, and queer forms of sexual desire and identity have shifted to the mainstream of French cinematographic representation – as evidenced by the box-office success of a series of highly commercial comic films, including Gazon maudit (Josiane Balasko, 1995), Pédale douce (Gabriel Aghion, 1996), Le Placard (Francis Véber, 2000), and Chouchou (Merzak Allouache, 2003). Alongside this commercial strand, a series of small-budget alternative comedies and other genre films have also challenged heteronormative conceptualizations of sexuality and gender. Films such as Sitcom (François Ozon, 1998), L’Homme est une femme comme les autres (Jean-Jacques Zilbermann, 1997), Pourquoi pas moi? (Stéphane Giusti, 1999), Drôle de Félix (Olivier Ducastel and Jacques Martineau, 2000), and Les Chansons d’amour (Christophe Honoré, 2007) portray desire as fluid and/or gender as unfixed. With their use of parody and their blending of comedy with the musical, melodrama, romance or road movie, these and other similar films have resonated with a burgeoning viewing public, tired of having to seek queerness in connotation, of appropriating marginal characters in ostensibly straight narratives, and of tragedy and trauma as the principal modes of representation and spectator address.

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Mit „Queering Contemporary French Popular Cinema: Images and their Reception“ von Darren Waldron, erschienen am 12102009 bei Peter Lang Publishing Inc. New York, will das Modelshootingsprojekt „Male Beauty Shootings“ auf das vielfältige Angebot an LGB-Literatur aufmerksam machen.

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Hat Ihnen „Queering Contemporary French Popular Cinema: Images and their Reception“ gefallen? Wir würden uns freuen, wenn Sie das Buch bewerten würden. Nicht nur wir, auch die Suchmaschinen lieben Bewertungen der Literatur für die bisexuelle, lesbische und schwule Leserschaft und das unterstützt die Sichtbarkeit von Buchläden und Verlagen in den Suchmaschinen. Autoren wie Darren Waldron freuen sich immer über konstruktive Kritik.